Magic of Magic This Week at LiveAuctionTalk.com
Rosemary McKittrick keeps her finger on the pulse of the auction market.
SANTA FE, NM, September 01, 2010
There is a subtle, invisible essence generating from all things. That's a basic magic belief. Magicians in every culture have attempted to tap into and manipulate that essence since the beginning of time.Karl Germain a magician-illusionist in the early-20th century was no different. What made him different was the grace with which he performed his feats.
His father developed numerous props to help him in his elegant illusions. Like any great magician, he was a master of misdirection. By controlling their attention, Germain was able to trick audiences into believing what they thought they saw.
By 1915, Germain was one of the most renowned magicians in the world, known for his well-designed performances, inventiveness and color posters. By 1916, the magician lost his eyesight and was no longer able to tour.
On May 16, Potter & Potter Auctions, Chicago, featured the magic collection of Jay Marshall Part IV on the block. A selection of Germain's memorabilia was offered.
Many previously unpublished full-color Germain poster reproductions; photos and memorabilia sold plus Germain's lectures, notes, writings, letters, artwork and poetry.
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Rosemary has provided auction coverage and analysis on thousands-and-thousands of antiques and collectibles sold since the column started 16-years ago. She includes auction sale results to give readers a feel for what their treasures are worth because the power of auctions is simple.
When the bidding stops and the hammer falls, the value of an item is set. The buyer, not the seller, sets the price, and this simple distinction cuts through all the chitchat about what art, antiques and collectibles are really worth. The emphasis is on today's values, not yesterday's wishful thinking.
Each week another new article is posted featuring a particular area of collecting.
• Every article showcases an auction item and how it fits into the big picture.
• A compelling, historical context is provided for the treasures people collect.
• Collecting tips are offered.
• Current "prices realized" are listed.
Rosemary is the co-author of The Official Price Guide to Fine Art published by Random House and received her training in the trenches working as a professional appraiser and weekly columnist.
Contact:
Rosemary McKittrick
info@LiveAuctionTalk.com